nsaplus.blogg.se

After being narrated the whole script and the situation of the song, Suddala Ashok Teja participated in discussions during the recording at Chennai and Hyderabad and 12 versions wote by him were rejected before finalizing this one for which Ashok Teja took 28 days. Krishna Vamsi wanted to include this song as the character of Balaraju believes in living happily using which the song was supposed to explain his take on life with woman as the example and the slang in rural areas where Telugu is spoken mostly sounds like songs. The song was titled Neeli Rangu Cheeralona which was sung by the character of Balaraju played by in the film. I must also add that I am looking for music that will be in sync with the mood, in every scene, notes that will showcase culture and tradition, sound modern yet ancient, one of a kind, conceptual sound from the land and from the people'. In late April, during the music sittings with Yuvan Shankar Raja at Chennai, Krishna Vamsi confirmed the news in a telephonic conversation with Suresh Krishnamoorthy of stating, 'Initially, music for the film was to be composed by Thaman, but he told me that he was busy and agreed to a change.

However, in mid-April 2014, he was replaced by due to conflicting schedules, although sources reported that talks were also held with. After finishing the scriptwork, he had 16 situations for placement of songs which he later reduced to six, which included one dance number because of 's popularity as a dancer, two family songs apart from three romantic songs., who composed the music for Ram Charan's (2013) was signed as the music director of the film marking his first collaboration with Krishna Vamsi.

Wanted to narrate the story of a London bred NRI who visits India in search of his roots.